{"id":2,"date":"2009-12-20T13:13:37","date_gmt":"2009-12-20T12:13:37","guid":{"rendered":"http:\/\/karinfelbermayr.net\/index.php?page_id=2"},"modified":"2026-03-31T17:13:25","modified_gmt":"2026-03-31T16:13:25","slug":"vita","status":"publish","type":"page","link":"https:\/\/www.capitana-f.net\/en\/vita\/","title":{"rendered":"CV"},"content":{"rendered":"

Capitana F is a visual artist.
\nKarin Rakuschan, born Karin Felbermayr in 1976 in Munich, Germany. Early artwork published as Karin Felbermayr<\/a>.
\nLives and works in Vienna, Austria since 2020.
\nPreviously from 2006 to 2019 based in Berlin.
\nSince 2019 Membership in the IG Bildende Kunst<\/a>, Vienna.
\nSince 2010 Membership in the bbk berlin<\/a>.<\/p>\n

Education <\/strong>
\n2003 \u2013 2005<\/strong> Academy of Fine Arts Vienna, diploma supervised by Heimo Zobernig
\n2002<\/strong> Hungarian University of Fine Arts, Budapest, Intermedia Department, J\u00e1nos Sug\u00e1r
\n1998 \u2013 2003<\/strong> Academy of Fine Arts, Munich, Olaf Metzel
\n1996 – 1999 <\/strong>The Municipal Vocational School for Woodcarving, Munich, Woodcarving diploma \/ journeyman<\/p>\n

Selected solo exhibitions\/ solo projects\/ two-person exhibition<\/strong>
\n2026 … ongoing since 2021<\/strong>
\nBounty CMYK neon<\/em>, Mobile Art in Public Space, Click & Become Art Collector<\/a>
\n2015<\/strong>
\nAXOPn<\/a><\/em>, Kunstverein Bellevue-Saal, Wiesbaden, DE (Two-person show with Levent Kunt)
\n2011
\n<\/strong>MASK<\/a><\/em>, Kunstraum Bernsteiner, Vienna, AT
\n 2010
\n<\/strong>Same Same But Different<\/em><\/a>, Raum 58, Munich, DE
\n2009
\n<\/strong>Multiple Masks<\/em>, Weltraum, Munich, DE
\n2007
\n<\/strong>Performative Elements<\/em>, Art Award of Tisa von der Schulenburg-Stiftung, Ausstellungsetage im Woolworth-Haus, Dorsten, DE
\n2006
\n<\/strong>Gender Gamble<\/em><\/a>, Lothringer 13, St\u00e4dtische Kunsthalle M\u00fcnchen, Munich, DE
\n2005
\n<\/strong>oberfl\u00e4chenaktive elemente<\/em><\/a>, Raum 58, Munich, DE
\n2004
\n<\/strong>Wartende<\/em><\/a>, Scope – art in public space, curator: Spunk Seipel, Berlin, DE (performance)
\nK\u00f6der_ _ _ _<\/em> , Ex-flat, Vienna, AT
\n2003
\n<\/strong>Damenwahl<\/em>, Schikaneder-Fenster, Vienna, AT (performance)
\n2002<\/strong>
\n<\/a>Damenwahl<\/em>, KIRAKAT, Budapest, HU (performance)
\n2000
\n<\/strong>Welde Kunstpreis 2000<\/em>, Kunstverein Schwetzingen, DE<\/p>\n

Selected group exhibitions\/ projects
\n2025
\n<\/strong>100 Works on Paper BENEFIT Exhibition 2025<\/em><\/a>, Kentler International Drawing Space, Brooklyn, New York, USA
\n<\/strong>NEW DRAWINGS<\/a>, <\/em>Kentler International Drawing Space, Brooklyn, New York, USA, Juror: Samantha Friedman<\/a>, Curator, Department of Drawings and Prints, The Museum of Modern Art, New York
\n<\/strong>Jubil\u00e4umsausstellung 25 Jahre Virtuell-Visuell e. V.<\/em>, franz*<\/a>, Dorsten, Germany
\n2024
\n<\/strong>UNDER $2500<\/em>, Maryland Art Place (MAP)<\/a>, Baltimore, USA
\nEuropean Permacomputing Gamejam<\/a>, VIENNA hub, DIE ANGEWANDTE, Austria\u00a0 submission: Cloud<\/em><\/a>
\n<\/strong>Seven Seeds<\/em><\/a>, HYCP Veddel Space, Hamburg, DE
\n<\/strong>37th September Competition<\/em><\/a>, guest juror: David Butler, Alexandria Museum of Art<\/a>, Alexandria, LA, USA
\nSeven Seeds<\/em>, Zou-no-hana Terrace, Yokohama, Japan
\n2023
\n<\/strong>Color Theory<\/em><\/a>, Juried by Kaegan Sparks, Site:Brooklyn Gallery, New York City, USA
\n2022
\n<\/strong>International Moving Film Festival, Arvand Free Zone, Iran
\nMy mama told me I\u2019m experimental<\/em>, Satellite Program accompanying the Saigon Experimental IV<\/em>, Location: 76 Ng\u1ecdc L\u00e2m, Long Bi\u00ean District, Hanoi, Vietnam
\n<\/strong>SOMETHING AND POST-SOMETHING<\/em><\/a>, presented by BINNAR, Galeria Casa-Museu Soledade Malvar, Vila Nova de Famalic\u00e3o, Portugal
\n<\/strong>BLICK FANG<\/a><\/em> , Kunsthaus Kaufbeuren, Kaufbeuren, DE
\nA A TO T V (CLADINORO) GIORGIO SADOTTI<\/a><\/em>, being part of Giorgio Sadotti’s A A TO T V (CLADINORO) Collection<\/em>, No Show Space, London, UK (catalogue: KK1)
\n2021<\/strong>
\nInkMasters Print Exhibition 2021<\/em>, Tanks Arts Centre Tank 4, Cairns, Australia
\n30th Anniversary #100 tea towel<\/em>, Focal Point Gallery, Southend-on-Sea, UK
\n2020<\/strong>
\nThe Fourth International PrintMaking Biennial<\/em>, Cacak, Serbia
\n2019<\/strong>
\nMykonos Biennale Apathia<\/em><\/a>, Mykonos, GR
\n 2018<\/strong>
\nProjected.Capital, Roehrs & Boetsch, Zurich, Switzerland
\n<\/strong>2017<\/strong>
\n20th Japan Media Arts Festival<\/em><\/a>, NTT InterCommunication Center [ICC], Tokyo, JP
\n3 DARTBOARD (CONSTELLATION) GIORGIO SADOTTI<\/em>, Thames-Side Studios Gallery, London, UK
\nWerte_Gemeinschaft<\/em>, Galerie Schwartzsche Villa, Berlin, DE
\n 2016<\/strong>
\nVisions in the Nunnery<\/em>, presented by Dryden Goodwin 5-20 October, Nunnery Gallery, London, UK
\nInkmasters 2016 Print Exhibition<\/em>, Tanks Arts Centre, Cairns, AU
\nSpace\/Time Berlin<\/em><\/a>, curated by Steffi Kowalski & Matt Wilson, TATWERK | Performative Forschung, Berlin, DE
\nKeine Zeit<\/em><\/a>, concept and organization: Cornelius Grau, K\u00fcnstlerhaus Dortmund, Dortmund, DE
\n 2015<\/strong>
\nDIE LICHTENBERG NORM A4 Quer<\/em>, Zwitschermaschine, Berlin, DE
\nSphinx 2015 | The hidden Thebes festival<\/em>, Thiva, GR
\nGraphics Interchange Format: 25 Years of Focal Point Gallery<\/em>, Focal Point Gallery, Southend-on-Sea, UK
\nMedienfestival plattform:[no budget]#12<\/em>, Leibnizhaus, T\u00fcbingen, DE
\n 2014<\/strong>
\nDigital Marrakech Festival Edition 4<\/em>, organized by ARAB MEDIA LAB, Galerie R\u00ea, Marrakech, MA, catalogue p. 42<\/a>
\n20 Jahre WeldeKunstpreis. Eine Retrospektive<\/em>, Stadtgalerie Mannheim, Mannheim, DE
\n5th Cairo Video Festival \u2013 Re-screening<\/em>, Medrar for Contemporary Art, Cairo, EG, catalogue p.210-211<\/a>
\nThe One Minute Film Festival: 2003 – 2012<\/em>, Plains Art Museum, Fargo, US
\n2013<\/strong>
\nPhysical digital graffiti<\/em><\/a>, Visualcontainer@VideoBabel, Cuzco, PE
\n5th Cairo Video Festival<\/em><\/a>, Medrar for Contemporary Art, Cairo, EG, catalogue p.210-211<\/a>
\nEspace [im] M\u00e9dia: Optische – Berlin Video Art<\/em><\/a>, Sporobole centre en art actuel, Sherbrooke, CA
\nSpace-Time: Convention T<\/em>,\u00a0THIS THIS MONSTER THIS THINGS<\/em>, included by Giorgio Sadotti, Wysing Arts Centre, Bourn, UK
\nSUSPENSION \u200bSCENERIES<\/em><\/a>, special selection by Visualcontainer; Video Art Festival<\/em> Miden, Kalamata, GR
\nLIQUID IMAGE<\/em><\/a>, Visualcontainer Selection curated by Gabriela Diana Gavrilas, Tarii Crisurilor Museum, Oradea, RO
\nTHIS THIS MONSTER THIS THINGS<\/a>, <\/em>included by Giorgio Sadotti, Ikon Gallery, Birmingham, UK
\n One Minute Film Festival 2003 – 2012<\/em>, MASS MoCA, North Adams, US
\n2012<\/strong>
\nFlashForward 5<\/em><\/a>, [.BOX] Videoart project space, Milan, IT
\nTHIS THIS MONSTER THIS THINGS, <\/em>Shelly Manor, Bournemouth, UK
\nRAPID PULSE INTERNATIONAL PERFORMANCE ART FESTIVAL<\/em><\/a>, curated by Steven L. Bridges, Julie Laffin, Joseph Ravens & Giana Gambino, DEFIBRILLATOR performance art gallery, Chicago, US
\nElita Festival, Action Frame<\/em><\/a>, Video Screening, curated by Philip Tonda Heide, Teatro Franco Parenti, Milan, IT
\nTHIS THIS MONSTER THIS THINGS<\/em>, included by Giorgio Sadotti, Focal Point Gallery, Southend-on-Sea, UK
\n2011<\/strong>
\n<\/strong>LETS GET READY… , 12th edition of Pixxelpoint 2011<\/em><\/a>, curated by G\u00fclsen Bal and BridA \/ Jurij Pavlica, Sendi Mango, Tom Ker\u0161evan, City Gallery Nova Gorica, Nova Gorica \/ Gorizia, SI, catalogue p.36<\/a>
\nFazebuk Network<\/em>, Invalidenfriedhof Berlin, Berlin, DE
\nPixelpops!<\/em>, curated by Philip Tonda Heide, Nouvel Organon, Paris, FR
\nOK. Video FLESH, 5th Jakarta International Video Festival 2011,<\/em> National Gallery of Indonesia, Jakarta, ID
\n2010
\n<\/strong>Zum ersten Mal<\/em>, Art-Report Projects in der K4 Galerie, Munich, DE
\nloop pool looping<\/em>, <\/strong>Raum f\u00fcr Projektion<\/a> @ the knot, Flugfeld Tempelhof, Berlin, DE
\n\/+\\=X<\/em>,\u00a0 serialworks studio, curated by Christian Nerf and Spunk Seipel, Cape Town, ZA
\n2009
\n<\/strong>1. Mecklenburg-Vorpommern Biennale<\/em>, initiated by Spunk Seipel and Edmund Piper, Klein-Zetelvitz, DE
\nOne Minute Film & Video<\/em>, organised by Jason Simon and Moyra Davey, Narrowsburg, NY, US
\nSzpilman Award Show #4: Sch\u00f6fferhof<\/em>, Atelierfrankfurt, Frankfurt on the Main, DE
\nWeltraum – Jahres\u00fcberblick<\/em>, Lothringer 13, St\u00e4dtische Kunsthalle M\u00fcnchen, Munich, DE
\n2008
\n<\/strong>Knorke G\u00f6ren<\/em>, Kwadrat, Berlin, DE
\n2007<\/strong>
\nLoop pool<\/em>, Video-Forum Treffpunkt NBK, Neuer Berliner Kunstverein, Berlin, DE
\nLoop pool<\/a><\/em>, Raum f\u00fcr Projektion in the lounge of 53rd International Short Film Festival Oberhausen, DE
\nviewing club<\/em>, Hats\/Plus, organised by Philippa Horan, London, UK
\n2006<\/strong>
\nviewing club 09: K\u00fcss die Hand – After Waldheim<\/em>, Secession Wichtelgasse, Vienna, AT
\nviewing club 07<\/em>, Lovelite, Berlin, DE
\nManpower<\/em>, B\u00e9tonsalon, Paris, FR
\n2005<\/strong>
\nPart Three, \u2018Last Minute\u2019<\/em>, Orchard, New York City, US
\nThe Brazilian Expedition of Thomas Ender – Reconsidered<\/em>, project with Mark Dion, Exhibition spaces of the Academy of Fine Arts Vienna, Vienna, AT
\n2004<\/strong>
\nRaumpool showroom<\/em>, Frankensteiner Hof, Frankfurt on the Main, DE
\nOne Minute Film & Video<\/em>, organised by Jason Simon and Moyra Davey, Narrowsburg, NY, US
\nThe Brazilian Expedition of Thomas Ender – Reconsidered<\/em>, project with Mark Dion, Bienal de S\u00e3o Paulo, BR<\/a>
\n2001<\/strong>
\nBoppstrasse 13b<\/em>, Boppstrasse 13b, Mainz, DE<\/p>\n

Lectures\/ Talks<\/strong>
\n 2010<\/strong>
\nArtist talk with Heinz Sch\u00fctz, Raum 58, Munich, DE
\n2004<\/strong>
\nFrischfleisch und der Goldene Schnitt<\/em>, institute for sociology, LMU Munich, DE
\n18:27<\/em>, Academy of Fine Arts Vienna, AT
\n2003<\/strong>
\nKonkurrenz belebt das Gesch\u00e4ft<\/em>, Burg Giebichenstein, Halle\/ Saale, DE
\n2002
\n<\/strong>forum Der sch\u00f6ne K\u00f6rper<\/em>, Museum f\u00fcr Kunst und Gewerbe Hamburg, DE<\/p>\n

Awards and scholarships
\n2019<\/strong>
\nShortlist, 2019 China Guanlan International Print Biennial
\n2017 <\/strong>
\nJury Selection<\/a>, Art Division, 20th Japan Media Arts Festival
\n2013 <\/strong>
\nCCA Andratx – Artist in Residence scholarship, Andratx, Mallorca, ES
\n2007
\n<\/strong>Art award of Tisa von der Schulenburg-Stiftung<\/a>
\n2003\/ 2004
\n<\/strong>H\u00f6lderlin – scholarship for the academic year in Austria
\n2002
\n<\/strong>Deutscher Studienpreis, Bodycheck<\/em>, K\u00f6rber Stiftung
\nAuslandsstipendium der Studienstiftung des deutschen Volkes for Budapest<\/p>\n

ERASMUS\/ SOKRATES for Budapest
\n2001-2005<\/strong>
\nscholarship of Studienstiftung des deutschen Volkes
\n2000<\/strong>
\nWelde art award, Schwetzingen
\n1999<\/strong>
\nNew York – travel scholarship, Marschalk-von-Ostheim\u2019sche Stiftung<\/p>\n

Selected bibliography
\nIndividual exhibition catalogues
\n2007 <\/strong>
\nKarin Felbermayr, Performative Elements<\/a><\/em>, Verbrecher Verlag, Berlin, with contributions by Sabeth Buchmann and F.E. Rakuschan<\/a>, ISBN 978-3-935843-98-0.
\n2006<\/strong>
\nKarin Felbermayr, Stereotype as a Masquerade<\/a><\/em>, Verbrecher Verlag, Berlin, with contributions by Michael Meuser and Yanping Wu, ISBN 978-3-935843-78-2.<\/p>\n

Group exhibition catalogues \/ contributions in publications
\n2024
\n<\/strong>101 Contemporary artists and more… <\/em>\/ Volume 8, Collect Art, Tbilisi, Georgia, 2024.
\n<\/em>Read<\/a> \u00a0 \/ \u00a0\u00a0Share<\/a> \u00a0 \/ \u00a0 Order<\/a>
\n<\/strong>Collect Art, Special Edition of the magazine \u2018Winter Issue\u2019 \/Volume 56, Tbilisi, Georgia, 2024.
\nRead<\/a>\u00a0 \/ Share<\/a> \/ Order<\/a>
\n2022<\/strong>
\nGIORGIO SADOTTI A A TO T V (CLADINORO)<\/em>, London, 2022.
\nPDF<\/a>
\n2021<\/strong>
\n5th Biennial Inkmasters Print Exhibition 2021<\/em>, Ink Masters Cairns, Cairns, Australia
\n2020<\/strong>
\nThe Fourth International PrintMaking Biennial 2020<\/em>, Cacak, Serbia, ISBN 978-86-900635-2-9.
\n2017<\/strong>
\n20th Japan Media Arts Festival<\/a><\/em>, Tokyo 2017.
\nWERTE_GEMEINSCHAFT<\/em>, Galerie Schwartzsche Villa, Bezirksamt Steglitz-Zehlendorf von Berlin, Berlin.
\n 2016<\/strong>
\nBellevue-Saal 2014-2015<\/em>, Ulrich Meyer-Husmann, Kunstverein Bellevue-Saal, Wiesbaden, ISBN 978-3-939236-24-5.
\n3rd Biennial Inkmasters Print Exhibition 2016<\/em>, Ink Masters Cairns, Cairns, Australia, ISBN 978-0-646-95854-5.
\n2014<\/strong>
\nDigital Marrakech Festival Edition 4<\/a><\/em>, p. 42.
\n5th Cairo Video Festival<\/a><\/em>, p. 210-211.
\n2013
\n<\/strong>The One Minute Film Festival 2003-2012<\/em><\/a>, Published on Pixxelpoint 2011 \u2013 12th International New Media Art Festival<\/a><\/em>, Kulturni dom Nova Gorica, Nova Gorica, SI, ISBN 978-961-6783-09-5, p. 36-37.
\nOK. Video FLESH, 5th Jakarta International Video Festival 2011<\/em>, National Gallery of Indonesia, Jakarta, ID, PDF p.21.
\n2007<\/strong>
\nKarin Felbermayr: embaixadora-ambassadress-botschafterin<\/em>. In: Thomas Ender, Abre Alas<\/em>, \u00d6sterreichisches Kulturforum Berlin, Berlin, ISBN 978-3-9502417-4-7.
\n2004<\/strong>
\n26\u00aa Bienal de S\u00e3o Paulo<\/em>, Funda\u00e7\u00e3o Bienal de S\u00e3o Paulo, S\u00e3o Paulo, Brasil.
\n2002
\n<\/strong>Karin Felbermayr: OP<\/em>. In: Vorstand der Berlin-Brandenburgischen Akademie der Wissenschaften, Zwischen Kassandra und Prometheus<\/em>, Gegenworte N\u00b0 10, Berlin.
\n2000 <\/strong>
\nWeldekunstpreis 2000<\/em>, Kunstverein Schwetzingen, Schwetzingen.<\/p>\n

Selected articles\/ press<\/strong>
\n2025
\n<\/strong>Michael Klein, 20 K\u00fcnstler aus 25 ViVi-Jahren: Jubil\u00e4umsausstellung in Dorsten<\/em>, Dorstener Zeitung, 2 May 2025
\n2016<\/strong>
\nTilman Abegg, Der Mund von Heidi Klum<\/em>, Ruhr Nachrichten, 19 February 2016
\n2015<\/strong>
\nChristine Dressler, Anf\u00e4ngliches, Variables und Unendliches<\/em>, Wiesbadener Kurier, 14. Oktober 2015
\nChristine Dressler, AXOPn von Karin Felbermayr und Levent Kunt im Bellevuesaal<\/em>, online issue of Wiesbadener Kurier, 14 October 2015
\n2010
\n<\/strong>Slash Plus BackSlash Equals X<\/em>, <\/strong>LAS magazine, 22 March 2010
\n2009<\/strong>
\nChristoph Sch\u00fctte, Eier f\u00fcr den Kunstbetrieb<\/em>, FAZ, 09 July 2009
\nJohannes L\u00f6hr, Zu Gast in M\u00fcnchner Wohnzimmern<\/em>, M\u00fcnchner Merkur, 30 April\/ 1 May 2009
\n2008
\n<\/strong>Katrin Pinetzki, Schwarze Masken, hei\u00dfe Posen<\/em>, Ruhr Nachrichten, 12\/13 February 2008
\nNadine Albach, Rosa H\u00e4schen trifft auf Bohrmaschine<\/em>, Westf\u00e4lische Rundschau, 13 February 2008
\n2007
\n<\/strong>Spannungsreiche Trennung<\/em>, Dorstener Zeitung, 10 December 2007
\nDie Hefe im Teig<\/em>, Dorstener Zeitung, 10 December 2007
\nIch sehe in ihr eine Tisa<\/em>, WAZ, 10 December 2007
\nSpiel mit Masken und Geschlechterrollen<\/em>, Dorstener Zeitung, 08 December 2007
\nRalph Wilms, Das Poltern zwischen zwei Posen<\/em>, WAZ, 07 December 2007
\nRalph Wilms, Die Posen der Mode-Models<\/em>, WAZ, 10 December 2007
\nMario Alexander Weber, Click-Clack<\/a><\/em>, Literaturkritik.de, No. 6, June 2007
\nGeorg Kasch, Spiderwoman l\u00e4dt zum Spiel<\/em><\/a>, Abendzeitung, 04 January 2007
\nCornelia Gockel, Im Grenzgebiet<\/em><\/a>, S\u00fcddeutsche Zeitung, 02 January 2007
\n2006
\n<\/strong>D\u00f6rthe B\u00e4umer, Starke Frauen<\/em><\/a>, In M\u00fcnchen, 21 December 2006
\nFreia Oliv, Kneifen zwecklos<\/em><\/a>, M\u00fcnchner Merkur, 13 December 2006
\n2002<\/strong>
\nMaike Schiller, Wer sch\u00f6n sein will, muss diskutieren<\/em>, Hamburger Abendblatt, 25 May 2002<\/p>\n

TV\/ Radio
\n2020<\/strong>
\nOTVORENO 4. ME\u0110UNARODNO BIJENALE GRAFIKE<\/a>, Televizija Telemark, 5 September 2020
\nTV Informator – BIJENALE GRAFIKE<\/a>, 4. September 2020
\nKulturni dnevnik<\/a>, TV RTS, 3. September 2020
\n2016<\/strong>
\nKeine Zeit – Videokunst-Ausstellung in Dortmund<\/em>, WDR 5 Scala – aktuelle Kultur, 19 February 2016
\nPeter Backof, Austellung “Keine Zeit”: Kein Video l\u00e4nger als drei Minuten<\/em><\/a>, Deutschlandfunk, 19 February 2016
\n 2003
\n<\/strong>TV report on Damenwahl\/Ladies’ Choice<\/em> by Arwid Holtenau, Vienna, ZIB 3<\/em>, ORF 2, 27 February 2003
\n2002
\n<\/strong>12-minute TV-interview by Anna Heesch, Nachgefragt<\/em>, Hamburg 1, 23 May 2002<\/p>\n


\nPublic collections<\/strong>
\nCCA Andratx, Andratx, Spain
\nChina Printmaking Museum, Shenzhen, China
\nCollection of the International PrintMaking Biennial Cacak, Serbia
\nIziko South African National Gallery of Cape Town, South Africa<\/p>","protected":false},"excerpt":{"rendered":"

Capitana F is a visual artist. Karin Rakuschan, born Karin Felbermayr in 1976 in Munich, Germany. Early artwork published as Karin Felbermayr. Lives and works in Vienna, Austria since 2020. Previously from 2006 to 2019 based in Berlin. Since 2019 Membership in the IG Bildende Kunst, Vienna. Since 2010 Membership in the bbk berlin. Education […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.capitana-f.net\/en\/wp-json\/wp\/v2\/pages\/2"}],"collection":[{"href":"https:\/\/www.capitana-f.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.capitana-f.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.capitana-f.net\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.capitana-f.net\/en\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":985,"href":"https:\/\/www.capitana-f.net\/en\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":5928,"href":"https:\/\/www.capitana-f.net\/en\/wp-json\/wp\/v2\/pages\/2\/revisions\/5928"}],"wp:attachment":[{"href":"https:\/\/www.capitana-f.net\/en\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}