{"id":1534,"date":"2013-02-03T21:00:29","date_gmt":"2013-02-03T20:00:29","guid":{"rendered":"http:\/\/www.karinfelbermayr.net\/?page_id=1534"},"modified":"2023-10-08T15:25:24","modified_gmt":"2023-10-08T14:25:24","slug":"statement","status":"publish","type":"page","link":"https:\/\/www.capitana-f.net\/en\/statement\/","title":{"rendered":"Statement"},"content":{"rendered":"<p>The beginning of my video performances, 2005, can be understood retrospectively as a reaction to the expanding virtualisation of social reality. Subsequently under \u201emasking\u201c in the broadest sense, I developed various types of medium\/form relations.<\/p>\n<p>This also applies to those works in which, in addition to various art-immanent topoi, painting is negotiated as a dispositive in the dispositive of art. My interest in screen printing follows the fact that it revolutionized painting.<\/p>\n<p>In a world increasingly opened up by cognitive science, articulations of art can only be realized with a high degree of probability of surprise and uncertainty. One of its functions is \u201ethe provision of a potential for self-observation that can be masked and applied at any time by setting objectives&#8221; (Dirk Baecker 2007).<\/p>\n<p>In the age of \u201esurveillance capitalism&#8221; (Shoshana Zuboff 2018), where in new markets people are suppliers of behavioral data or the source of a free resource, \u201eeveryone, whether intentional or not, is a performance artist and network publicist &#8211; even if only by transferring his rent&#8221; (Florian Cramer 2015). <\/p>\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>The beginning of my video performances, 2005, can be understood retrospectively as a reaction to the expanding virtualisation of social reality. Subsequently under \u201emasking\u201c in the broadest sense, I developed various types of medium\/form relations. This also applies to those works in which, in addition to various art-immanent topoi, painting is negotiated as a dispositive [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.capitana-f.net\/en\/wp-json\/wp\/v2\/pages\/1534"}],"collection":[{"href":"https:\/\/www.capitana-f.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.capitana-f.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.capitana-f.net\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.capitana-f.net\/en\/wp-json\/wp\/v2\/comments?post=1534"}],"version-history":[{"count":31,"href":"https:\/\/www.capitana-f.net\/en\/wp-json\/wp\/v2\/pages\/1534\/revisions"}],"predecessor-version":[{"id":5419,"href":"https:\/\/www.capitana-f.net\/en\/wp-json\/wp\/v2\/pages\/1534\/revisions\/5419"}],"wp:attachment":[{"href":"https:\/\/www.capitana-f.net\/en\/wp-json\/wp\/v2\/media?parent=1534"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}